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YouTube將為創(chuàng)作者提供分成,挑戰(zhàn)TikTok短視頻霸主地位

YouTube還沒有透露它計劃如何在短視頻中嵌入廣告。

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頂級創(chuàng)作者亞當(dāng)·瓦希德在TikTok平臺上的粉絲最多(達1,500萬),但他很高興能夠從YouTube短片中獲利。圖片來源:GREG DOHERTY/GETTY IMAGES

亞當(dāng)·瓦希德在TikTok平臺上有1,500萬粉絲,有60億YouTube點擊量。他正從洛杉磯的家開車前往棕櫚泉,出席僅限受邀者才能夠參加的“YouTube創(chuàng)作”(Made on YouTube)峰會。然而,瓦希德在TikTok上創(chuàng)作的內(nèi)容比在其他任何平臺創(chuàng)作的內(nèi)容都多。通過在TikTok上發(fā)布制作精良的搞笑短視頻,瓦希德在該平臺上獲得了3.52億點贊,去年賺了730萬美元,這些收入主要來自代言合同。

但瓦希德表示,在上周YouTube宣布將開始把廣告整合到Y(jié)ouTube Shorts中,并為創(chuàng)作者提供45%的收入分成之后,他已經(jīng)準備好將自己的內(nèi)容戰(zhàn)略重心轉(zhuǎn)向YouTube Shorts——YouTube上TikTok短視頻的競爭者。瓦希德告訴《財富》雜志:“這將改變游戲規(guī)則?!?/p>

YouTube希望瓦赫德——以及其他博主——可以帶頭涌向Shorts平臺,幫助其在一場代價越來越高的影響力和網(wǎng)紅爭奪戰(zhàn)中趕上TikTok。盡管瓦希德對YouTube的新項目充滿熱情,但其收入分成計劃是否會真正改變爆火短視頻的力量平衡,從而向YouTube傾斜還有待觀察。

許多創(chuàng)作者都將生計押在視頻爆火上,因此,針對不同平臺進行優(yōu)化絕非易事。雖然專業(yè)創(chuàng)作者傾向于在每個平臺發(fā)布不同版本的內(nèi)容相同的視頻,以最大限度地提高受眾參與度和報酬,但決定最先在哪個平臺發(fā)布視頻非常重要,這可能會影響代言協(xié)議、點擊量和好評度。

《財富》雜志采訪的幾位主要創(chuàng)作者稱,YouTube的收入分成是一個可喜的進展,但他們不會立即把所有內(nèi)容都轉(zhuǎn)向YouTube。關(guān)于創(chuàng)作者需要做些什么才能夠讓自己的視頻有資格獲得YouTube Shorts的分成仍然存在許多問題:創(chuàng)作者能否從最先發(fā)布到TikTok上的內(nèi)容中獲利?創(chuàng)作者可以從短片廣告中賺多少錢?如果YouTube Shorts上的廣告是不能夠跳過的,那為什么觀眾就可以在TikTok上滑走廣告的情況下觀看YouTube Shorts上的內(nèi)容呢?

薇薇安·涂(YourRichBFF,你最要好的有錢朋友)說:“我懷疑分成到底有多少。”她的個人理財短視頻在TikTok上吸引了200萬粉絲,在YouTube上只有5.5萬訂閱者。“我確實認為,如果(YouTube Shorts)變得更有利可圖,你看到你的朋友或其他創(chuàng)作者取得成功并獲得收入,那就絕對是值得考慮的事情?!?/p>

YouTube的舉動說明了YouTube、Snap和Meta等社交媒體公司所面臨的風(fēng)險,這些公司的廣告業(yè)務(wù)都建立在吸引大量觀眾到其平臺的基礎(chǔ)上。網(wǎng)紅可靠的吸引力可見一斑,而短視頻——大多在60秒以內(nèi)——是目前的爆款之一。

當(dāng)然,TikTok在短視頻領(lǐng)域占據(jù)主導(dǎo)地位。但這個中國的字節(jié)跳動公司旗下、運營了五年的平臺,并沒有向那些爆火視頻博主提供任何有效的經(jīng)濟補償,而且這些視頻的點擊量往往高達數(shù)千萬甚至數(shù)億。涂指出,她的收入中只有不到1%來自TikTok的創(chuàng)作者基金(Creator Fund),這是該公司為每月點擊量超過10萬次的博主提供的收入,但該公司并未對該收入做出明確規(guī)定。TikTok沒有向創(chuàng)作者支付報酬,這為市值1.3萬億美元的Alphabet集團旗下的YouTube創(chuàng)造了機會。YouTube能夠調(diào)整資產(chǎn)負債表,并試圖將TikTok創(chuàng)作者納入麾下。

對于制作較長視頻(例如化妝教程和自制裝飾)的創(chuàng)作者來說,YouTube平臺長期以來一直非常重要,這要歸功于其AdSense收入分成模式,該模式為YouTube合作伙伴(擁有1,000名訂閱者和4,000小時觀看時長的博主)提供55%的廣告收入,包括在長視頻內(nèi)容里投放的插播廣告、內(nèi)置廣告和緩沖廣告收入。由于AdSense收入分成模式,野獸先生(MrBeast)、瑞特和林克(Rhett & Link)和基萌(Markiplier)等頂級YouTube博主的年收入都超過了3,000萬美元,鞏固了他們作為地球上收入最高的創(chuàng)作者的地位。

據(jù)該公司稱,YouTube Shorts是2021年推出的與TikTok競爭的短視頻剪輯平臺,目前該平臺的日點擊量達到300億次。

在9月20日的“YouTube創(chuàng)作”活動中,首席產(chǎn)品官尼爾·莫漢強調(diào)了短視頻內(nèi)容的重要性,他宣布就“任何規(guī)模性平臺而言”,YouTube首次為短視頻博主提供“真正的收入分成”。

視頻創(chuàng)作者的新收入來源

特雷爾·約瑟夫和賈瑞斯·約瑟夫二人是內(nèi)容創(chuàng)作者,他們說,作為同性家長,他們通過在TikTok、Instagram和YouTube上發(fā)布關(guān)于家庭生活的視頻,每年從數(shù)百萬粉絲那里賺取七位數(shù)的收入,如今,他們正優(yōu)先考慮在YouTube發(fā)布內(nèi)容。

賈瑞斯說:“只要你有一個可以獲得更多收益的平臺,你就會轉(zhuǎn)向這個平臺。YouTube非常睿智,一直保持著競爭力。任何想要全職從事這項工作或以此謀生的人都會更傾向于使用這個他們知道自己能夠賺錢的平臺?!?/p>

此舉意味著,無論是瓦希德這樣的大創(chuàng)作者,還是你的化妝師朋友這樣社交影響力迅速增長的小創(chuàng)作者,都可以從上傳短視頻到Shorts中獲利。即便如此,這些創(chuàng)作者不應(yīng)該期望自己能夠像野獸先生那樣獲得豐厚報酬。與300萬創(chuàng)作者合作的網(wǎng)紅經(jīng)紀公司Influential的首席執(zhí)行官瑞安·德特爾特表示:“我們可以將其視為零工經(jīng)濟的延伸。一些[YouTube Shorts創(chuàng)作者]將變得非常富有;大多數(shù)人將得到足夠的補償?!?/p>

YouTube還沒有透露它計劃如何在短視頻中嵌入廣告。像涂和約瑟夫二人這樣的頂級創(chuàng)作者懷疑,YouTube短片的廣告收入能否有效補充他們的收入,因為他們從品牌推廣中賺取了巨額收益。這些創(chuàng)作者期望從緩沖廣告或5秒廣告中獲得較低的千人成本(CPMs),而不是從YouTube長視頻中投放的30秒廣告中獲得豐厚回報。

到目前為止,沒有跡象表明YouTube打算與Shorts創(chuàng)作者簽訂獨家合同。但是,如果YouTube希望創(chuàng)作者將Shorts視為他們的“首發(fā)”平臺,傾注全力創(chuàng)作專為Shorts制作的視頻,然后再把這些視頻轉(zhuǎn)發(fā)到其他平臺,涂說YouTube需要用有效報酬來向博主證實轉(zhuǎn)換平臺是合理的。

不過,她說:“對創(chuàng)作者而言,置身于這樣一個領(lǐng)域確實令人興奮,他們不僅能夠通過所做的所有事情來獲得報酬(包括超出內(nèi)容創(chuàng)作者范圍的事情)——比如進行品牌推廣、推出播客、書籍、課程或其他內(nèi)容——還可以直接從受益最大的平臺獲得報酬?!?/p>

當(dāng)記者們關(guān)注YouTube和TikTok之間的競爭時,創(chuàng)作者們主要關(guān)心的是如何獲得報酬。如果他們能夠在YouTube Shorts上發(fā)掘出新的收入來源,那就太好了。如果作為回應(yīng),TikTok推出自己的廣告收入分成計劃,那就更好了。因為創(chuàng)作者的成功是由算法驅(qū)動的,他們會繼續(xù)在所有社交平臺上發(fā)視頻,努力在最大限度上延長職業(yè)壽命和增加收入。

別的不說,YouTube的新分成計劃可能會給普通社交媒體用戶一個嘗試創(chuàng)作短視頻來獲取收入的理由?!白鳛橐晃欢桃曨l創(chuàng)作者,想要獲得可觀的收入是非常困難的。這個競爭環(huán)境非常公平?!蓖呦5抡f?!艾F(xiàn)在,任何人都有機會跳槽和辭職?!保ㄘ敻恢形木W(wǎng))

譯者:中慧言-王芳

亞當(dāng)·瓦希德在TikTok平臺上有1,500萬粉絲,有60億YouTube點擊量。他正從洛杉磯的家開車前往棕櫚泉,出席僅限受邀者才能夠參加的“YouTube創(chuàng)作”(Made on YouTube)峰會。然而,瓦希德在TikTok上創(chuàng)作的內(nèi)容比在其他任何平臺創(chuàng)作的內(nèi)容都多。通過在TikTok上發(fā)布制作精良的搞笑短視頻,瓦希德在該平臺上獲得了3.52億點贊,去年賺了730萬美元,這些收入主要來自代言合同。

但瓦希德表示,在上周YouTube宣布將開始把廣告整合到Y(jié)ouTube Shorts中,并為創(chuàng)作者提供45%的收入分成之后,他已經(jīng)準備好將自己的內(nèi)容戰(zhàn)略重心轉(zhuǎn)向YouTube Shorts——YouTube上TikTok短視頻的競爭者。瓦希德告訴《財富》雜志:“這將改變游戲規(guī)則?!?/p>

YouTube希望瓦赫德——以及其他博主——可以帶頭涌向Shorts平臺,幫助其在一場代價越來越高的影響力和網(wǎng)紅爭奪戰(zhàn)中趕上TikTok。盡管瓦希德對YouTube的新項目充滿熱情,但其收入分成計劃是否會真正改變爆火短視頻的力量平衡,從而向YouTube傾斜還有待觀察。

許多創(chuàng)作者都將生計押在視頻爆火上,因此,針對不同平臺進行優(yōu)化絕非易事。雖然專業(yè)創(chuàng)作者傾向于在每個平臺發(fā)布不同版本的內(nèi)容相同的視頻,以最大限度地提高受眾參與度和報酬,但決定最先在哪個平臺發(fā)布視頻非常重要,這可能會影響代言協(xié)議、點擊量和好評度。

《財富》雜志采訪的幾位主要創(chuàng)作者稱,YouTube的收入分成是一個可喜的進展,但他們不會立即把所有內(nèi)容都轉(zhuǎn)向YouTube。關(guān)于創(chuàng)作者需要做些什么才能夠讓自己的視頻有資格獲得YouTube Shorts的分成仍然存在許多問題:創(chuàng)作者能否從最先發(fā)布到TikTok上的內(nèi)容中獲利?創(chuàng)作者可以從短片廣告中賺多少錢?如果YouTube Shorts上的廣告是不能夠跳過的,那為什么觀眾就可以在TikTok上滑走廣告的情況下觀看YouTube Shorts上的內(nèi)容呢?

薇薇安·涂(YourRichBFF,你最要好的有錢朋友)說:“我懷疑分成到底有多少?!彼膫€人理財短視頻在TikTok上吸引了200萬粉絲,在YouTube上只有5.5萬訂閱者?!拔掖_實認為,如果(YouTube Shorts)變得更有利可圖,你看到你的朋友或其他創(chuàng)作者取得成功并獲得收入,那就絕對是值得考慮的事情。”

YouTube的舉動說明了YouTube、Snap和Meta等社交媒體公司所面臨的風(fēng)險,這些公司的廣告業(yè)務(wù)都建立在吸引大量觀眾到其平臺的基礎(chǔ)上。網(wǎng)紅可靠的吸引力可見一斑,而短視頻——大多在60秒以內(nèi)——是目前的爆款之一。

當(dāng)然,TikTok在短視頻領(lǐng)域占據(jù)主導(dǎo)地位。但這個中國的字節(jié)跳動公司旗下、運營了五年的平臺,并沒有向那些爆火視頻博主提供任何有效的經(jīng)濟補償,而且這些視頻的點擊量往往高達數(shù)千萬甚至數(shù)億。涂指出,她的收入中只有不到1%來自TikTok的創(chuàng)作者基金(Creator Fund),這是該公司為每月點擊量超過10萬次的博主提供的收入,但該公司并未對該收入做出明確規(guī)定。TikTok沒有向創(chuàng)作者支付報酬,這為市值1.3萬億美元的Alphabet集團旗下的YouTube創(chuàng)造了機會。YouTube能夠調(diào)整資產(chǎn)負債表,并試圖將TikTok創(chuàng)作者納入麾下。

對于制作較長視頻(例如化妝教程和自制裝飾)的創(chuàng)作者來說,YouTube平臺長期以來一直非常重要,這要歸功于其AdSense收入分成模式,該模式為YouTube合作伙伴(擁有1,000名訂閱者和4,000小時觀看時長的博主)提供55%的廣告收入,包括在長視頻內(nèi)容里投放的插播廣告、內(nèi)置廣告和緩沖廣告收入。由于AdSense收入分成模式,野獸先生(MrBeast)、瑞特和林克(Rhett & Link)和基萌(Markiplier)等頂級YouTube博主的年收入都超過了3,000萬美元,鞏固了他們作為地球上收入最高的創(chuàng)作者的地位。

據(jù)該公司稱,YouTube Shorts是2021年推出的與TikTok競爭的短視頻剪輯平臺,目前該平臺的日點擊量達到300億次。

在9月20日的“YouTube創(chuàng)作”活動中,首席產(chǎn)品官尼爾·莫漢強調(diào)了短視頻內(nèi)容的重要性,他宣布就“任何規(guī)模性平臺而言”,YouTube首次為短視頻博主提供“真正的收入分成”。

視頻創(chuàng)作者的新收入來源

特雷爾·約瑟夫和賈瑞斯·約瑟夫二人是內(nèi)容創(chuàng)作者,他們說,作為同性家長,他們通過在TikTok、Instagram和YouTube上發(fā)布關(guān)于家庭生活的視頻,每年從數(shù)百萬粉絲那里賺取七位數(shù)的收入,如今,他們正優(yōu)先考慮在YouTube發(fā)布內(nèi)容。

賈瑞斯說:“只要你有一個可以獲得更多收益的平臺,你就會轉(zhuǎn)向這個平臺。YouTube非常睿智,一直保持著競爭力。任何想要全職從事這項工作或以此謀生的人都會更傾向于使用這個他們知道自己能夠賺錢的平臺?!?/p>

此舉意味著,無論是瓦希德這樣的大創(chuàng)作者,還是你的化妝師朋友這樣社交影響力迅速增長的小創(chuàng)作者,都可以從上傳短視頻到Shorts中獲利。即便如此,這些創(chuàng)作者不應(yīng)該期望自己能夠像野獸先生那樣獲得豐厚報酬。與300萬創(chuàng)作者合作的網(wǎng)紅經(jīng)紀公司Influential的首席執(zhí)行官瑞安·德特爾特表示:“我們可以將其視為零工經(jīng)濟的延伸。一些[YouTube Shorts創(chuàng)作者]將變得非常富有;大多數(shù)人將得到足夠的補償?!?/p>

YouTube還沒有透露它計劃如何在短視頻中嵌入廣告。像涂和約瑟夫二人這樣的頂級創(chuàng)作者懷疑,YouTube短片的廣告收入能否有效補充他們的收入,因為他們從品牌推廣中賺取了巨額收益。這些創(chuàng)作者期望從緩沖廣告或5秒廣告中獲得較低的千人成本(CPMs),而不是從YouTube長視頻中投放的30秒廣告中獲得豐厚回報。

到目前為止,沒有跡象表明YouTube打算與Shorts創(chuàng)作者簽訂獨家合同。但是,如果YouTube希望創(chuàng)作者將Shorts視為他們的“首發(fā)”平臺,傾注全力創(chuàng)作專為Shorts制作的視頻,然后再把這些視頻轉(zhuǎn)發(fā)到其他平臺,涂說YouTube需要用有效報酬來向博主證實轉(zhuǎn)換平臺是合理的。

不過,她說:“對創(chuàng)作者而言,置身于這樣一個領(lǐng)域確實令人興奮,他們不僅能夠通過所做的所有事情來獲得報酬(包括超出內(nèi)容創(chuàng)作者范圍的事情)——比如進行品牌推廣、推出播客、書籍、課程或其他內(nèi)容——還可以直接從受益最大的平臺獲得報酬?!?/p>

當(dāng)記者們關(guān)注YouTube和TikTok之間的競爭時,創(chuàng)作者們主要關(guān)心的是如何獲得報酬。如果他們能夠在YouTube Shorts上發(fā)掘出新的收入來源,那就太好了。如果作為回應(yīng),TikTok推出自己的廣告收入分成計劃,那就更好了。因為創(chuàng)作者的成功是由算法驅(qū)動的,他們會繼續(xù)在所有社交平臺上發(fā)視頻,努力在最大限度上延長職業(yè)壽命和增加收入。

別的不說,YouTube的新分成計劃可能會給普通社交媒體用戶一個嘗試創(chuàng)作短視頻來獲取收入的理由?!白鳛橐晃欢桃曨l創(chuàng)作者,想要獲得可觀的收入是非常困難的。這個競爭環(huán)境非常公平。”瓦希德說?!艾F(xiàn)在,任何人都有機會跳槽和辭職。”(財富中文網(wǎng))

譯者:中慧言-王芳

Adam Waheed, who has 15 million TikTok followers and has garnered 6 billion views on YouTube, is driving from his Los Angeles home to Palm Springs for the invite-only “Made on YouTube” summit. Waheed, however, was made on TikTok more than he was on any of the other platforms he uses. By posting highly produced short-form slapstick comedy sketches to TikTok, Waheed attracted 352 million likes on the platform and earned $7.3 million last year, largely from endorsement deals.

But Waheed says he’s ready to make YouTube Shorts—YouTube’s TikTok competitor—a much bigger part of his content strategy, followed last week’s announcement that YouTube would start integrating ads into Shorts and share 45% of the revenue with creators. “It’s a game changer,” Waheed told Fortune.

YouTube hopes that Waheed—and others of his ilk—will be at the front of a stampede to its Shorts platform, helping it to catch up with TikTok in an increasingly pricey battle for influence and influencers. While Waheed is enthusiastic about the new YouTube program, it remains to be seen whether the revenue sharing program will actually shift the balance of power for short, viral video clips in YouTube’s favor.

Many creators are betting their livelihoods on virality, and optimization for different platforms is no small matter. While professional creators tend to post versions of the same content to every platform to maximize engagement and pay, simply choosing which platform to post a video on first is an important decision that can affect endorsement deals, viewer volume and critical reception.

Several major creators Fortune spoke to said that YouTube’s payouts were a welcome development, but showed little immediate inclination to go all-in on YouTube. There are still many questions about what a creator needs to do for their videos to qualify for YouTube Shorts’ payouts: Can creators earn on content initially posted to TikTok? How much can creators make on short-form ads? If the ads on Shorts are unskippable, why would viewers watch content on the platform when they can swipe by ads on TikTok?

“I’m questioning how good that payout can truly be,” says Vivian Tu (YourRichBFF), whose short-form personal finance videos have garnered her 2 million TikTok followers and just 55,000 YouTube subscribers. “I do think that if [YouTube Shorts] becomes a more lucrative thing, and you see your friends or other creators having success and making money, it’s definitely something to consider.”

YouTube’s move speaks to the stakes for social media companies like YouTube, Snap and Meta, whose advertising businesses are founded on attracting large audiences to their platforms. Internet influencers are a reliable draw, and short video clips—mostly under 60 seconds—are one of the hottest commodities right now.

TikTok, of course, dominates the short video category. But the five-year-old platform, owned by China’s ByteDance, doesn’t provide any meaningful financial compensation to the people whose clips go viral, and often rack up tens, or hundreds, of millions of views. Tu notes that less than 1% of her earnings come from TikTok’s Creator Fund, the company’s ill-defined income stream for users who attract over 100,000 views in a month. Lack of payments to creators has left an opening for YouTube, which is owned by the $1.3 trillion Alphabet conglomerate, to flex its balance sheet and try to pull TikTok’s creators into its orbit.

For creators who produce lengthier videos, like makeup application tutorials and decor DIYs, YouTube has long been an important platform thanks to its AdSense revenue sharing model, which gives YouTube Partners (users with 1,000 subscribers and 4,000 watch hours) 55% of revenue from pre-, mid-roll and bumper ads on their long-form video content. Because of AdSense, top YouTubers like MrBeast, Rhett & Link and Markiplier are all making upwards of $30 million a year, cementing them as the highest-paid creators on the planet.

YouTube Shorts, the short video clip platform launched in 2021 to compete with TikTok, now gets 30 billion daily views, according to the company.

At the Made for YouTube event on September 20, Chief Product Officer Neal Mohan stressed the importance of bite-sized video content as he announced what he described as the first “real revenue sharing” ever offered for short form video “on any platform at scale.”

A new source of revenue for video creators

For married content creator couple Terrell and Jarius Joseph—who say they make seven-figures annually from their millions of followers by posting to TikTok, Instagram and YouTube about family life as gay parents—are now thinking YouTube-first.

“Whenever you have a platform offering more, you’re going to lean into that platform,” says Jarius. “YouTube was very smart and is staying competitive. Anyone looking to do this full-time or make a living will lean more into that platform where they know they can make money.”

The move means that creators as big as Waheed and as small as your makeup artist friend with a burgeoning social presence stand to profit from uploading short-form video to Shorts. That said, these creators should not expect to make MrBeast money instantly. “Think of this as an extension of the gig economy,” says Ryan Detert, CEO of influencer agency Influential that works with 3 million creators. “Some [YouTube Shorts creators] will become very wealthy; most will become adequately compensated.”

YouTube has not revealed how exactly it plans to embed ads in its short-form videos. Top creators like Tu and the Josephs are skeptical that the ad revenue from YouTube shorts will meaningfully complement their earnings as they make enormous sums from brand deals. These creators expect low CPMs from bumper modules or five-second ads, rather than fat checks from the 30-second ads YouTube runs on long-form.

So far, there’s no indication that YouTube intends to sign Shorts creators to exclusive contracts. But if YouTube wants creators to think of Shorts as their “first” platform, devoting their efforts to creating videos that are intended for Shorts and then reposting the clips to other platforms, Tu says they’ll need to justify the shift with meaningful payouts.

Still, she said, “it’s really exciting for creators to be in a space where they can not only get paid through all the things they do outside of just being content creators–such as taking brand deals, launching podcasts, books, courses or whatever—but also getting paid directly from the platforms that are benefiting the most.”

While journalists focus on the rivalry between YouTube and TikTok, creators are primarily concerned about getting paid. If they can tap a new source of revenue on YouTube Shorts, great. If TikTok responds by introducing its own ad revenue sharing scheme, even better. Because creators’ success is driven by algorithms, they will continue to post to all social platforms in effort to maximize career longevity and earnings.

If nothing else, YouTube’s new payment program may give average social media users a reason to try their hand at creating money-making short videos. “It’s been very difficult to be a short-form creator and make a sizable income. This is leveling the playing field,” says Waheed. “Now, anybody has the opportunity to just jump and quit their jobs.”

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